"But you've heard nothing?" "I knew what she wanted to say to me: that's why I was determined to get her off. I knew I shouldn't like it, but I was perfectly prepared," said Owen. "She brought it out as soon as we got round the corner; she asked me point-blank if I was in love with you."!

Blankness was for a moment on Mrs. Gereth's brow; then light broke—she visibly remembered the scene in the breakfast-room after Mona's night at Poynton. "Because I contrasted you—told him you were the one?" Her eyes looked deep. "You were—you are still!" "Certainly I'm sure, with all the evidence I already have. That will finish her!" Owen declared.

How had Mrs. Gereth known in advance that if she had chosen to be "vile" (that was what Fleda called it) everything would happen to help her?—especially the way her poor father, after breakfast, doddered off to his club, showing seventy when he was really fifty-seven, and leaving her richly alone for the day. He came back about midnight, looking at her very hard and not risking long words—only making her feel by inimitable touches that the presence of his family compelled him to alter all his hours. She had in their common sitting-room the company of the objects he was fond of saying that he had collected—objects, shabby and battered, of a sort that appealed little to his daughter: old brandy-flasks and match-boxes, old calendars and hand-books, intermixed with an assortment of pen-wipers and ash-trays, a harvest he had gathered in from penny bazaars. He was blandly unconscious of that side of Fleda's nature which had endeared her to Mrs. Gereth, and she had often heard him wish to goodness there was something striking she cared for. Why didn't she try collecting something?—it didn't matter what. She would find it gave an interest to life, and there was no end of little curiosities one could easily pick up. He was conscious of having a taste for fine things which his children had unfortunately not inherited. This indicated the limits of their acquaintance with him—limits which, as Fleda was now sharply aware, could only leave him to wonder what the mischief she was there for. As she herself echoed this question to the letter she was not in a position to clear up the mystery. She couldn't have given a name to her errand in town or explained it save by saying that she had had to get away from Ricks. It was intensely provisional, but what was to come next? Nothing could come next but a deeper anxiety. She had neither a home nor an outlook—nothing in all the wide world but a feeling of suspense. "I want you, inexpressibly, to have, as a remembrance, something of mine—something of real value. Something from Poynton is what I mean and what I should prefer. You know everything there, and far better than I what's best and what isn't. There are a lot of differences, but aren't some of the smaller things the most remarkable? I mean for judges, and for what they'd bring. What I want you to take from me, and to choose for yourself, is the thing in the whole house that's most beautiful and precious. I mean the 'gem of the collection,' don't you know? If it happens to be of such a sort that you can take immediate possession of it—carry it right away with you—so much the better. You're to have it on the spot, whatever it is. I humbly beg of you to go down there and see. The people have complete instructions: they'll act for you in every possible way and put the whole place at your service. There's a thing mamma used to call the Maltese cross and that I think I've heard her say is very wonderful. Is that the gem of the collection? Perhaps you would take it, or anything equally convenient. Only I do want you awfully to let it be the very pick of the place. Let me feel that I can trust you for this. You won't refuse if you will think a little what it must be that makes me ask." "The strain of what?"